Kip Manley boosted

i've tagged out 600+ open source, experimental and tiny tools by their qualities and built a new website for sorting through them!

these are all tools towards joyful digital creation, with the goal of enabling working entirely outside of proprietary systems- moving instead from one hand-made software to another.

(the list takes submissions if it is missing yours >:))

tinytools.directory

Kip Manley boosted
Kip Manley boosted
Kip Manley boosted

Eradicate cops.

Through peaceful means, if possible!

BUT NOTE THAT ANY APPROACH THAT CONTINUES TO ALLOW BLACK PEOPLE TO BE SUMMARILY EXECUTED FOR AIR FRESHENERS WHILE WE FRITTER AWAY THE DECADE DOES NOT CONSTITUTE "PEACEFUL MEANS,"

"Certainly it is hard to say whether a poet is conscious of a particular implication in his work, he has so many other things to think of—"

"He said they pulled him over because he had air fresheners hanging from his rearview mirror."

@poiseunderchaos I'd say Joshua judges Ruth, but Lyle Lovett already made off with that one.

"—the time has come for me to be alive and for you to stop speaking—"

(Deuteragonist is a stupid fucking word and no mistake.)

"What must the nature of the fantastic be in our time if it leads a French writer, convinced of the necessity of 'think­ing French,' to find himself, upon adopting fantasy as his mode of expression, on the same terrain as a writer of Central Europe?"

"If you can’t look into the eyes of the protagonist, you cannot hold people’s attention for more than 15 minutes. You just can’t."

(I still do love it when a slice of corporate extruded product manages to thrill and shock.) youtube.com/watch?v=hkZEpNsw6z

Those scenes at the end where the protagonist is off to one side, smiling wistfully, as all their buddies and teammates tear into an impromptu take-out feast, and the chatter goes improv and drops in the mix as whatever ephemeral pop song swells? Yeah. Those scenes.

Kip Manley boosted
Kip Manley boosted

Ghostbusters (1987) starring Linda Kozlowski, Shelley Long, Claire Bloom and Marianne Faithfull (dir. Joel Coen)

"Do not let uninformed threats affect response."

To make a stirring, soaring reprise of "When now, I still want and/or love you..."

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