"Transgression and disruption as aesthetic ideology, from Marinetti to experimental art, counterculture, neoliberalism, and Trump" is an article originally written in Dutch by me and Nienke Terpsma. It was commissioned for, and published in, the new issue (2/2005) of the art magazine Metropolis M which is covering the 60th anniversary of the Dutch Provo movement.
The text reflects on how futurism, accelerationism, and chaos aesthetics have become part of neoliberal, right-wing libertarian, and contemporary fascist politics, but how seeming antidotes like community and care can also be hijacked.
We've made a slightly expanded and revised English version of the text available here:
http://cramer.pleintekst.nl/essays/transgression_and_disruption_as_aesthetic_ideology/