22<p>I must talk about <a href="https://octodon.social/tags/Teotichuacan" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Teotichuacan</span></a> again, this time with pictures from the <a href="https://octodon.social/tags/FieldMuseum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FieldMuseum</span></a>. This was the major city in central Mexico that seems to have started around 0 CE and went down the standard Mesoamerican kings package for a couple of hundred years—palaces, elite burials, depictions of warfare/slavery in art. Then around 300 CE, this stopped and as far as we can tell, the city reconfigured itself onto what appears to be egalitarian, multicultural, peaceful lines, for <em>several hundred more years</em>, with a population of 100,000 to 500,000 (like, Staten Island!).</p><blockquote><p>“nowhere among some thousands of… images do we find even a single representation of a ruler striking, binding or otherwise dominating a subordinate—unlike in the contemporary arts of the Maya and Zapotec, where this is a constant theme. Today scholars pore over Teotihuacan imagery, searching for anything that might be construed as a kingly figure, but largely they fail. In many cases the artists seem to have deliberately frustrated such efforts, for instance by making all the figures in a given scene exactly the same size.” (<em>The Dawn of Everything</em> by<br>David Graeber, David Wengrow, <a href="https://octodon.social/tags/GraeberWengrow" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GraeberWengrow</span></a>)</p></blockquote><p>In this recent interview with Wengrow <a href="https://www.youtube.com/watch?v=UR-EN0YIBIg" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=UR-EN0YIBI</span><span class="invisible">g</span></a> (around 15:50), the host asks about <a href="https://octodon.social/tags/Stonehenge" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Stonehenge</span></a>, which seems to have been built a little after when peoples all across Britain stopped cereal agriculture and returned to foraging—while keeping animal husbandry which they picked up along with agriculture—without any apparent exogenous or ecological influence: people across the island seem to have just decided. The host, channeling societal revolution here and in Teotihuacan, bursts out,</p><blockquote><p>"For contemporary audiences, the equivalent would be us deciding the Industrial Revolution wasn't a good idea, or just stop using fossil fuels."</p></blockquote><p>At which point Wengrow looks sly for a beat and bursts out laughing—that is of course the point of their book, the point Graeber made his whole career: Teotihuacan and the British megalith builders, and several other examples, point to societies in sometimes the very deep past that self-consciously <em>decide</em> for themselves, "We're done with this" and pick a new path.</p><p>We can do it again.</p>