Tarren (They/Them)<p>LOL If I wasn't already familiar with music theory, this would have lost me by the end of the first section. <a href="https://www.youtube.com/watch?v=hZHBVcth0L4" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=hZHBVcth0L4</span><span class="invisible"></span></a><br>***Hashtags***<br><a href="https://dragonscave.space/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Music</span></a> <a href="https://dragonscave.space/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a></p>
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#musictheory
3 posts · 3 participants · 0 posts today
Manuel<p>Since starting to learn the <a href="https://hachyderm.io/tags/saxophone" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>saxophone</span></a> and <a href="https://hachyderm.io/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a> in general, I started to take an interest in <a href="https://hachyderm.io/tags/jazz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jazz</span></a> in various formats. Still forming opinions and developing taste but this <a href="https://hachyderm.io/tags/jamsession" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>jamsession</span></a> in the A-Trane Jazz Club in Berlin is fabulous! Seems to happen every Monday, definitely worth a visit if you are in town. <a href="https://hachyderm.io/tags/atranejazzclub" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>atranejazzclub</span></a></p>
Miguel Vicente<p>Acabo de descubrir la Open Music Academy (OMA) de la Hochschule für Musik und Theater München. <a href="https://openmusic.academy/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">openmusic.academy/</span><span class="invisible"></span></a><br>Tienen materiales bastante interesantes, bajo licencias Creative Commons. Hay de contrapunto, análisis, armonía...La mayor parte en alemán.</p><p><a href="https://mstdn.social/tags/OpenEducationalResources" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenEducationalResources</span></a> <a href="https://mstdn.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://mstdn.social/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a></p>
Mark Reid<p>I did a bit of Javascript hacking this weekend with the excellent `two.js` 2D drawing library to try to create an animated version of a diagram I came up with a while ago about modes and the circle of fifths. </p><p>Thanks to both <span class="h-card" translate="no"><a href="https://mastodon.social/@katchwreck" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>katchwreck</span></a></span> and <span class="h-card" translate="no"><a href="https://mathstodon.xyz/@johncarlosbaez" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>johncarlosbaez</span></a></span> for separate discussions here that got me thinking about this.</p><p>Animation and explanation is here: <a href="https://mark.reid.name/modes/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">mark.reid.name/modes/</span><span class="invisible"></span></a> </p><p><a href="https://mastodon.social/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a> <a href="https://mastodon.social/tags/javascript" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>javascript</span></a></p>
David F Miller 🇬🇧<p><span class="h-card" translate="no"><a href="https://masto.ai/@simondassow" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>simondassow</span></a></span> <a href="https://mastodon.world/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a> yes definitely fun! Good way to learn theory.</p><p>What am I looking at? Is this what's called a mixer? And what's the specific application?</p>
Simon Dassow<p>Talked about <a href="https://masto.ai/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> being fun the other day. This video about <a href="https://masto.ai/tags/HouseMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HouseMusic</span></a> <a href="https://masto.ai/tags/Chords" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Chords</span></a> is a good example: <a href="https://youtu.be/rYT9VMAQRBI" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">youtu.be/rYT9VMAQRBI</span><span class="invisible"></span></a></p>
Simon Dassow<p>Almost 30 years ago I stopped using and learning <a href="https://masto.ai/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> and just made some <a href="https://masto.ai/tags/OldSchool" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OldSchool</span></a> <a href="https://masto.ai/tags/HipHop" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HipHop</span></a> beats with an Amiga tracker, wanting better samples. Then started mixing, at some point <a href="https://masto.ai/tags/disco" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>disco</span></a>|vered <a href="https://masto.ai/tags/HouseMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HouseMusic</span></a> and mainly cared about BPM, key, and rhythm for a long time. A few years ago got amazing analog midi synths/drums, and only made a track or two. Anyways, since a week I'm properly studying theory and multiple instruments in parallel whenever I can, and it's so much fun already... ❤️🏠🎶</p>
Petr Nuska<p><a href="https://mastodon.world/tags/CFP" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CFP</span></a></p><p>Music Theories, Histories, Analysis, and the Musical Cultures of Asia</p><p>📍 Cornell University, Ithaca, NY<br>📅 11–14 October 2025</p><p>Exploring intersections of indigenous and contemporary music theories, analysis, and traditions of Asia. Hybrid format.</p><p>Deadline: 15/052025</p><p><a href="https://iftawm.org" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">iftawm.org</span><span class="invisible"></span></a></p><p><a href="https://mastodon.world/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> <a href="https://mastodon.world/tags/Ethnomusicology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ethnomusicology</span></a> <a href="https://mastodon.world/tags/AsianMusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AsianMusic</span></a></p>
katch wreck<p>of course, you can pick locrian (the "darkest" mode) or lydian (the "brightest" mode) and use those as a reference, too. for example, six sharps starting from locrian can get you to lydian through all the other modes (5, 2, 6, 3, 7, 4) and similarly, six flats can get you from lydian to locrian through all other modes (4, 7, 3, 6, 2, 5), with Dorian in the center. so the symmetry of the Dorian mode occurs not only in its intervals but also in its modal relationships <a href="https://mastodon.social/tags/theory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>theory</span></a> <a href="https://mastodon.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://mastodon.social/tags/musicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musicTheory</span></a></p>
Grégory Gutierez 🌻<p>Deux phrases mnémothechniques pour se rappeler...</p><p>... les 7 modes grecs à la guitare dans l'ordre :</p><p>[I] (Ionien)<br>[D]ON'T (Dorien)<br>[P]LAY (Phygien)<br>[L]OUD (Lydien)<br>[M]USIC (Mixolydien)<br>[A]T (Aeolien)<br>[L]UNCH (Lochrien)</p><p>... et le cercle des tierces dans la gamme de Do :</p><p>[E]VERY (mi)<br>[G]OOD (sol)<br>[B]AND (si)<br>[D]ESERVE (ré)<br>[F]ANS (fa)<br>[A]T (la)<br>[C]ONCERT (do)</p><p><a href="https://pouet.chapril.org/tags/GuitarGear" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GuitarGear</span></a> <a href="https://pouet.chapril.org/tags/GuitarTips" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GuitarTips</span></a> <a href="https://pouet.chapril.org/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> <a href="https://pouet.chapril.org/tags/Musique" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Musique</span></a> <a href="https://pouet.chapril.org/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Music</span></a> <a href="https://pouet.chapril.org/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> <a href="https://pouet.chapril.org/tags/CircleOfThirds" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CircleOfThirds</span></a></p>
Cassana 🍻<p>This is a short documentary on Konnakol, the rhythm language of South Indian Carnatic <a href="https://the-crossroads-inn.com/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Music</span></a>. During my <a href="https://the-crossroads-inn.com/tags/Ethnomusicology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Ethnomusicology</span></a> studies I took lessons in tabla, which has a different rhythm language called Bol used for reciting cycles and compositions, though I find Konnakol, which I got into with kanjira, a little bit more flexible, e.g., internalising a fast 9/8 (2+2+3+2) by saying "takadimitakitajuna", or playing around with rhythm without needing an instrument. <a href="https://the-crossroads-inn.com/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a><br><a href="https://www.youtube.com/watch?v=I4mxt4xBgdc" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=I4mxt4xBgd</span><span class="invisible">c</span></a></p>
Sophie HassfurtherSeverance and Gil Evans: has anybody noticed the parallels between Shapiro's theme song for Severance and Gil Evans' arrangement of My Ship from 1957?<br>Both use chords over a C pedal, both top voices move downwards chromatically.<br><br><a class="" href="https://hub.somaton.com/photos/sophie/image/1867bd45-0015-464e-85f9-d846a63e9533" rel="nofollow noopener noreferrer" target="_blank"></a><br><br>For your convenience:<br>Severance <a href="https://www.youtube.com/watch?v=NmS3m0OG-Ug" rel="nofollow noopener noreferrer" target="_blank">Official Intro Title Sequence 2022</a><br>Miles Ahead <a href="https://www.youtube.com/watch?v=YZwZgki3ads" rel="nofollow noopener noreferrer" target="_blank">My Ship</a><br><br>#<a class="" href="https://hub.somaton.com/search?tag=jazz" rel="nofollow noopener noreferrer" target="_blank">jazz</a> #<a class="" href="https://hub.somaton.com/search?tag=GilEvans" rel="nofollow noopener noreferrer" target="_blank">GilEvans</a> #<a class="" href="https://hub.somaton.com/search?tag=severance" rel="nofollow noopener noreferrer" target="_blank">severance</a> #<a class="" href="https://hub.somaton.com/search?tag=musictheory" rel="nofollow noopener noreferrer" target="_blank">musictheory</a>
Dan Carkner🎻<p>Woke up thinking about Intonatsia which is never a good thing😵💫</p><p><a href="https://klezmor.im/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> <a href="https://klezmor.im/tags/ethnomusicology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ethnomusicology</span></a></p>
Gilly Gunson<p>Microtonal "Hey Ya" in 31edo <a href="https://techhub.social/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a> <a href="https://techhub.social/tags/microtonal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>microtonal</span></a> <a href="https://www.youtube.com/shorts/6GwRYQ6Dnys" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/shorts/6GwRYQ6Dnys</span><span class="invisible"></span></a></p>
Pauliina Lievonen<p>I’ve got a week off which means time for bassoon practise. This might only amuse myself, but: I first learned music theory in Finnish, which like German uses H for the note just below C. But I now mostly teach in Dutch and English where the same note is B. But B in Finnish means a B flat. So in order to know for sure what I mean, in my own markings I write H and Bes. Clear as mud? 😁 <a href="https://mementomori.social/tags/bassoon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bassoon</span></a> <a href="https://mementomori.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://mementomori.social/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a></p>
Cassana 🍻<p>Outkast's Hey Ya in 31TET, at half-speed and ambient? In this video Levi McClain talks about his compositional approach, including some great insights into <a href="https://the-crossroads-inn.com/tags/Microtonal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Microtonal</span></a> <a href="https://the-crossroads-inn.com/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a>.<br>Personally I'm not too familiar with 31TET, preferring 36 or 53TET, which I mainly use in the context of Turkish makam theory. Even so, his harmony approach sounds perfectly functional to my ears, though if you're not used to <a href="https://the-crossroads-inn.com/tags/microtonality" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>microtonality</span></a> this probably will sound weird/eerie. <a href="https://the-crossroads-inn.com/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Music</span></a><br><a href="https://www.youtube.com/watch?v=gOtMHkafIP4" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=gOtMHkafIP</span><span class="invisible">4</span></a></p>
M. Ní Sídach<p>What if Outkast's "Hey Ya!" was <a href="https://sfba.social/tags/Microtonal" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Microtonal</span></a>?<br>31 Notes Per Octave Instead of 12 Heptatonic Mohajira <br><a href="https://sfba.social/tags/LeviMcClain" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LeviMcClain</span></a> <a href="https://sfba.social/tags/VideoEssay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VideoEssay</span></a> <a href="https://sfba.social/tags/Music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Music</span></a> <a href="https://sfba.social/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> <a href="https://sfba.social/tags/Harmony" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Harmony</span></a> <a href="https://sfba.social/tags/Xenharmonic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Xenharmonic</span></a> <a href="https://sfba.social/tags/31EDO" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>31EDO</span></a> <a href="https://sfba.social/tags/31TET" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>31TET</span></a> <a href="https://sfba.social/tags/Arrangement" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Arrangement</span></a> <br><a href="https://www.youtube.com/watch?v=gOtMHkafIP4" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=gOtMHkafIP</span><span class="invisible">4</span></a></p>
Miguel Vicente<p>The Most French Chord 🇫🇷 🎵 🔝 <br> <a href="https://www.youtube.com/watch?v=52qtxWyOOcs" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=52qtxWyOOc</span><span class="invisible">s</span></a></p><p><a href="https://mstdn.social/tags/earlymusicsources" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>earlymusicsources</span></a> <a href="https://mstdn.social/tags/musicanalysis" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musicanalysis</span></a> <a href="https://mstdn.social/tags/classicalmusic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>classicalmusic</span></a> <a href="https://mstdn.social/tags/musictheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>musictheory</span></a></p>
Ian Robinson<p>This is good. Guy Michelmore from Thinkspace Education is a fab music teacher. </p><p>Boring Chords = Boring Music</p><p>18-minute videos. Including a sample module from a new course on Practical Harmony: <a href="https://youtu.be/KRET7W4-Isg" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">youtu.be/KRET7W4-Isg</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/Mudic" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Mudic</span></a> <a href="https://mastodon.social/tags/MusicTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MusicTheory</span></a> <a href="https://mastodon.social/tags/ThinkspaceEducation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ThinkspaceEducation</span></a></p>
Georgiana BrummellI think some of you may find this interesting. I myself am beginning to study all of this, as I am fascinated by the singing methods and knowledge of the time. It is a bit difficult doing it being blind and unable to read music, but fortunately, there are ways around that. My perfect pitch and good memory for lyrics also helps. Still, if anyone would like to work with me on this i.e. study together or even give some advice, I would appreciate it.<br><br>Below, you will find various links related to theory, harmony and counterpoint, and a comparison of older and modern methods of teaching and singing. While this relates to choirs and opera, it also relates to the theatre, particularly operettas and such.<br><br>Studying Music: Part I<br><br><a href="https://dandylover1.dreamwidth.org/205086.html" rel="nofollow noopener noreferrer" target="_blank">https://dandylover1.dreamwidth.org/205086.html</a><br><br>My one criterion was that the methods and books used had to be from the time of Ivor Novello, preferably from his youth (born 1893). If I were to start in the early nineteenth century, which is where most of my preferred non-musical educational material is from, I would miss extremely important developments in classical music. Starting at the birth of his mother, Clara Novello Davies, in 1861, would be fine. However, since her own book, which I am using as my main text and guide, was written in 1928, I went with that of her son. In the following sections, you will find the books I am using. One thing I have not included, though it was a huge influence in Ivor's own writing style, was theatrical music, such as that found in operettas and Edwardian musical comedies. That is such a large topic for discussion that I feel it deserves its own separate post, as does Ivor's music, since it's an interesting blend of all of the above. But this is well outside the scope of traditional musical study.<br><br>In the next entry (the below link), we will delve into vocal training and why the singers of Novello's time sound so wonderful.<br><br>Studying Music: Part II<br><br><a href="https://dandylover1.dreamwidth.org/205505.html" rel="nofollow noopener noreferrer" target="_blank">https://dandylover1.dreamwidth.org/205505.html</a><br><br>Finally, since I mentioned the exercises, here they are, for anyone who wants to try them. Note that these are the Preliminaries and Breathlock Physicals, not the vocal exercises. But I have provided the link to her book as well, for those who may wish to go further.<br><br>Clara's Exercises<br><a href="https://dandylover1.dreamwidth.org/205596.html" rel="nofollow noopener noreferrer" target="_blank">https://dandylover1.dreamwidth.org/205596.html</a><br><br><a class="hashtag" href="https://blob.cat/tag/books" rel="nofollow noopener noreferrer" target="_blank">#books</a> <a class="hashtag" href="https://blob.cat/tag/choir" rel="nofollow noopener noreferrer" target="_blank">#choir</a> <a class="hashtag" href="https://blob.cat/tag/claranovellodavies" rel="nofollow noopener noreferrer" target="_blank">#ClaraNovelloDavies</a> <a class="hashtag" href="https://blob.cat/tag/counterpoint" rel="nofollow noopener noreferrer" target="_blank">#counterpoint</a> <a class="hashtag" href="https://blob.cat/tag/exercises" rel="nofollow noopener noreferrer" target="_blank">#exercises</a> <a class="hashtag" href="https://blob.cat/tag/harmony" rel="nofollow noopener noreferrer" target="_blank">#harmony</a> <a class="hashtag" href="https://blob.cat/tag/history" rel="nofollow noopener noreferrer" target="_blank">#history</a> <a class="hashtag" href="https://blob.cat/tag/ivornovello" rel="nofollow noopener noreferrer" target="_blank">#IvorNovello</a> <a class="hashtag" href="https://blob.cat/tag/music" rel="nofollow noopener noreferrer" target="_blank">#music</a> <a class="hashtag" href="https://blob.cat/tag/musictheory" rel="nofollow noopener noreferrer" target="_blank">#musictheory</a> <a class="hashtag" href="https://blob.cat/tag/opera" rel="nofollow noopener noreferrer" target="_blank">#opera</a> <a class="hashtag" href="https://blob.cat/tag/operetta" rel="nofollow noopener noreferrer" target="_blank">#operetta</a> <a class="hashtag" href="https://blob.cat/tag/singing" rel="nofollow noopener noreferrer" target="_blank">#singing</a> <a class="hashtag" href="https://blob.cat/tag/studying" rel="nofollow noopener noreferrer" target="_blank">#studying</a> <a class="hashtag" href="https://blob.cat/tag/vocaltraining" rel="nofollow noopener noreferrer" target="_blank">#vocaltraining</a> <a class="hashtag" href="https://blob.cat/tag/voicetraining" rel="nofollow noopener noreferrer" target="_blank">#voicetraining</a> <a class="hashtag" href="https://blob.cat/tag/theater" rel="nofollow noopener noreferrer" target="_blank">#theater</a> <a class="hashtag" href="https://blob.cat/tag/theatre" rel="nofollow noopener noreferrer" target="_blank">#theatre</a>
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